Tuesday, May 26, 2009

Pit full of Passion




Visiting home a week and some change ago, my friend plays a track by Passion Pit for me, and it completely shook me. So much, that I'm checking out their show on the 9th of June at the Black Cat (come with!). From what I hear, the new album Manners is the ill-nana. It's on this week's playlist, and look for something by them on the new podcast.

Here's one of the gazillion remixes to Passion Pit's "Sleepyhead."

Check out "Sleepyhead (Neo Tokyo Remix)."



I heart em'.

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Friday, May 22, 2009

Mixtape Review--Kooley is High: Get lifted (lyrically, musically)



Kooley is High, Get lifted (lyrically, musically)

By: K.Scribe

“Arm strong like Lance my pen peddling/my Tour de France is a war of chance heard ‘til I’m touring France/And exploring foreign land/ bridging gaps, giving dap to foreign fans/exchange cash for the raps I’m pouring in/ to the beat so sweet like iced tea/ down south North Carolina a slight breeze.” -“Day Keeper,” Tab-One of Kooley High

And that’s just it. Kooley High is to listeners what sweet tea is to an estranged southerner returning home. As if we needed proof that urban soil doesn’t grow all muses, the six member group hails from the Raleigh, North Carolina. Tab-One, Charlie Smarts, Rapsody, Foolery (producer), Sinopsis (producer), and DJ ill Digitz are the voices and hands crafting the sound. The result is a composition dipped in the roots of 90’s boom bap, along with jazz, soul, annotated with a mellow southern drawl. The mixtape, Kooley is High, dawns several remixes that music fiends know and love, and offering a platform for Kooley to really transform into emcee-poets.

In the title track, “Kooley is High” DJ ill Digitz and producers, Sinopsis and Foolery use a score that captures the essence of the new cool—a confident, intelligent way of seeing sound and emanating poetry. This blending is definitely the pattern and not the exception for the mixtape. It’s evident that these six not only love what they do, but love doing it together. Thus, creating a progeny of tracks that reflect growth, passion, talent, and hard work. Giving props to those who inspire them, you’ll hear references to Tribe Called Quest, Talib Kweli, Thelonius Monk, J Dilla, Common, both verbally and musically.

Listen for the tone setting track, Kooley High’s remix of The Foreign Exchange’s “Daykeeper.” Already equipped with a beat that stirs the soul, Kooley High delivers wordplay that matches the song’s steeping intensity. What’s more is they perfect the art of storytelling in this track, not by telling, but showing listeners the difficulty of the path that is chosen through a series of powerful lyrical deliveries by Tab-One, Smarts, and Rapsody. Kooley is careful to let open ears know that this challenge is met with a wit and depth fit for warring with obstacles. As evidenced in Smart’s verse,

And I will do all nighters to make my songs tighter than what y’all writing to make them broads light up../They say to make benjamins improve your producin’/then maybe then you’ll move in more units/I’m a friend with a pen for those who go through it. I grinned every since, my cents I throw two in.

The third emcee, Rapsody, continues to reinforce Kooley’s presence by easing her verse into the sound with,
Cause when the day is gone your favorite song on repeat will still be standing here like docks on the beach/can’t peace us good-bye we are so out of reach/Y’all kindergarten children/we are who professors teach/so each one turn your stereos up/and each one turn your stereos up.
Kooley High’s realness cannot be denied, as Smarts tells us in “Daykeeper,” I said we’re the future face it/It ain’t no fakin in the statements that we makin.

Perhaps this is true because something sustaining stays with you after hearing Kooley’s music because they stimulate more than the hip hop head bob (as if it needed to do more). It also begs us to listen to our own dreams and act to make them reality. So, make room for Kooley High on your iPods and your consciouness, because in the transient culture of music, Kooley High offers immediate relief, much like the way summer breezes and sweet tea rescue us from southern heat.

Additional Tracks to Listen for:
“Flow Glow” (Kooley High Remix)
“Getting Up” (remix)
“Soldier” (Kooley High Remix)
Jacques Costeau
“Due Process” (Kooley High Remix)
“G Building” (Foolery Kooley High Remix)
..basically the whole tape, on repeat.

DL it here.

-k.scribe
Keeping the pen bleeding and the cursor blinking…

Wednesday, May 20, 2009

Sound's Labyrinth.




My first electronic music cd was given to me by a good friend, JN/DJ Personify, we worked for the entomology lab at our University, picking bugs out petri dishes and he'd bring in his stack of mixes and the hours would pass just the way that time should--with a soundtrack. He passed these mixes on to me and though I didn't know the names to most (the permanent marker betrayed its name and eventually faded under the pressure of heat and thumbs)I remember those songs by heart. Such entropy. Such order. Such elation. Such melancholy. So me. Some wordless, some with lyrical snippets, but all able to express emotions that I'd always found so hard to release. I fell in love with it for all of those reasons. Those cd's are still in my drawer, but they're a mound of scratches. There's this one song that I ache to hear at least once a day, it's a heavy drum beat, and the lyric "Is there anybody, [that's] ever learned to share? Never had to teach it." Can't find it anywhere, and google's keeping it's lips closed. If you know it, tell me and I'll pay a heavy price for it (in cents!).

It's with that introduction that I'd like reccomend this documentary (as I'm a lover of docs anyways) Speaking in Code. It's the official selection of the Independent Film Festival of Boston. It highlights techno, which I've actually grown away from, but a good story is a good story, so spend some cheese on it. Not sure if POC were in the film, b/c you know we're part of the movement, fa sho. Additionally, I don't knwo when/if it's coming to DC, but I'm considering trying to get them to come screen it down here. It'd be dope, right? The website writes, "Speaking in Code is an intimate account of people who are completely lost in music."

Raise your hand if that's you, too. Keep em' high.

Still not convinced check the video (true).



audi5k,
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Tuesday, May 19, 2009




A little late, but I have a weakness for Phoenix. This is a track "Lisztomania" plucked from their album Wolfgang Amadeus Phoenix, clever name for a clever band. It's a reference to that German conductor guy, Liszt.

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Thursday, May 14, 2009

The StereoType Demos, Episode 2: Music for Transitions



Here's Episode 2 folks, and I'm really excited about the way this one turned out, let me know your thoughts.




Creative Commons License
The StereoType Demos is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.



Kelis feat. Andre 3000-Millionare [Tasty, 2003]

Lykke Li-Little Bit [Youth Novels, 2008]

Dizee Rascal feat. Vanya-Get By [Showtime, 2004]

Bjork-Desired Constellation [Medulla, 2004]

Erlend Oye/Jurgen Paape - So Weit Wie Noch Nie [DJ Kicks, 2004]

First Time-Diamond District [In the Ruff, 2009]

The Avalanches-Tonight [Since I Left You, 2000]

XO, Marky, Ra The MC-Practice Your Art [Us Vs Them, 2008]

Hot Chip-The Warning [The Warning, 2006]

The Five One-R3valulion [2009]

Nyle-Let the Beat Build [2009]

Telepopmusik-Breathe, Extended Mix [Genetic World, 2006]

Cool Kids-Broadcasting Live [Gone Fishing, 2009]


To download click here.

*Thanks to those who let me use their tracks! For those of you who I couldn't get in touch with and you want me to take it down, let me know that too!*

Wednesday, May 13, 2009

She Said-He Said.

FF Cypher 5.9.09: Tanya Morgan x Kenn Starr x Oddisee from jben.ok on Vimeo.

T.Morgan saucing up the mic with Kenn Starr and Oddisee (The Diamond District).

I love these fellas, they make me want to write masterpieces--sometimes only a sentence. Check out hip hop dx's feature on them, as well as one from The Couch Sessions.

Play it at work, write about it, b/c as Aesop Rock says, "we the American working population hate the fact that 8hrs a day is wasted on chasing the dream of someone that isn't us. We may not hate our jobs, but we hate jobs in general that don't have to do with fighting our own causes." When your boss walks by to see what all that "noise" is, just say, "Tanya Morgan, what," plus the screw face. Next week, he'll ask you to burn him a cd. 

soak up some sun,

-k.scribe



Tuesday, May 12, 2009

Feast Your Ears/Eyes on This.

One Day - Introducing Kooley High from BECAUSEUS on Vimeo.



Kooley High. DL the mixtape. Stay tuned for a review.

-kdotscribe
 
Creative Commons License
The StereoType Demos is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.